EveryEvent Milan

すべてのEventsを見る

Find every event in Milan

events

Concerts & Live Music
Festivals
Sports & Recreation
Food & Drink
Arts & Culture
Community
Family & Kids
Nightlife
Comedy
Theater
人気の目的地
BaliSedonaLos AngelesCosta RicaNew YorkSan FranciscoAustinMiamiJoshua TreeTulum
すべてのカテゴリを見るすべての目的地を見る

すべての機能を探索

イベントを成長させる強力なツール

プラットフォーム機能

スマートダイナミックプライシング
チケットカテゴリ
座席指定
カート放棄リカバリー
訪問者リカバリー
寄付とスライディングスケール
アフィリエイトシステム
チケットスキャナー
クーポンコード
カスタム質問
チケット共有
アップセルとアドオン
分析とレポート
メールシーケンス
ウェイトリスト / 通知 / リマインダー
探索
Discovery HubArtists & PerformersVenuesKnowledge Base
すべての機能を見る私たちについて
料金ブログ
Saved events
すべてのイベントを見る

events

Concerts & Live MusicFestivalsSports & RecreationFood & DrinkArts & CultureCommunityFamily & KidsNightlife

人気の目的地

BaliSedonaLos AngelesCosta RicaNew YorkSan Francisco

探索

Discovery HubArtists & PerformersVenuesKnowledge Base

プラットフォーム機能

スマートダイナミックプライシングチケットカテゴリ座席指定カート放棄リカバリー訪問者リカバリー寄付とスライディングスケールアフィリエイトシステムチケットスキャナークーポンコードカスタム質問チケット共有アップセルとアドオン分析とレポートメールシーケンスウェイトリスト / 通知 / リマインダー
すべての機能を見る私たちについて
料金ブログ
ログイン新規登録イベント主催者
  • Browse All Events
  • Concerts & Live Music
  • Festivals
  • Sports & Recreation
  • Food & Drink
  • Arts & Culture
  • Community
  • Family & Kids
  • Nightlife
  • すべてのカテゴリ →
  • All Destinations →
  • For Promoters
  • For Artists
  • For Venues
  • For Festivals
  • For Event Spaces
  • For Nonprofits
  • For Bloggers
  • For Speakers
  • Brand Ambassador
  • Case Studies
  • 35万人以上のバイヤーネットワーク
  • カート放棄リカバリー
  • スマートダイナミックプライシング
  • チケットカテゴリ
  • 定期イベント
  • 座席指定
  • アフィリエイトシステム
  • ウェイトリスト / 通知
  • チケットスキャナー
  • 埋め込みウィジェット
  • Event Syndication
  • Message Center
  • Integrations
  • Reports
  • すべての機能 →
  • 概要
  • The Ecosystem
  • ブログ
  • 用語集
  • Inspiration
  • ヘルプセンター
  • お問い合わせ
  • APIドキュメント
  • ブランドアセット
  • 採用
  • プレス
  • 利用規約
  • プライバシーポリシー

Events

  • Browse All Events
  • Concerts & Live Music
  • Festivals
  • Sports & Recreation
  • Food & Drink
  • Arts & Culture
  • Community
  • Family & Kids
  • Nightlife
  • すべてのカテゴリ →

Getaways

  • All Destinations →

For Organizers

  • For Promoters
  • For Artists
  • For Venues
  • For Festivals
  • For Event Spaces
  • For Nonprofits
  • For Bloggers
  • For Speakers
  • Brand Ambassador
  • Case Studies

機能

  • 35万人以上のバイヤーネットワーク
  • カート放棄リカバリー
  • スマートダイナミックプライシング
  • チケットカテゴリ
  • 定期イベント
  • 座席指定
  • アフィリエイトシステム
  • ウェイトリスト / 通知
  • チケットスキャナー
  • 埋め込みウィジェット
  • Event Syndication
  • Message Center
  • Integrations
  • Reports
  • すべての機能 →

会社

  • 概要
  • The Ecosystem
  • ブログ
  • 用語集
  • Inspiration
  • ヘルプセンター
  • お問い合わせ
  • APIドキュメント
  • ブランドアセット
  • 採用
  • プレス
  • 利用規約
  • プライバシーポリシー
EveryEvent
© 2026 EveryEvent Milan. 全著作権所有.
Featured

Mridanga Kirtan: Mantra Chantingand Temple Dance Performance

John De Kadt
John De Kadt
May 20, 2011
7 min read
Watch · 5
Read · 8 sections

What Is Kirtan and How Does It Work?

Kirtan is a form of devotional call-and-response singing rooted in Hindu and Vaishnava spiritual traditions. In kirtan, a lead vocalist or group chants Sanskrit mantras—sacred sound formulas—while the audience responds with repetition and rhythmic clapping. The practice is built on the principle that sound itself carries spiritual vibration. Unlike passive listening, kirtan is participatory: the repeated utterance of divine names and syllables is believed to alter consciousness and connect the practitioner to transcendental reality.

The Mayapuris' "Mridanga" is a contemporary example of this ancient form. Rather than a solo devotee chanting in a temple, this is a choreographed, filmed performance featuring the vocal group alongside trained dancers who embody the spiritual emotion (rasa) of the practice. This fusion of kirtan with visual representation makes the abstract concept of mantra-based devotion tangible and accessible to modern audiences.

What Role Does the Mridanga Drum Play in Devotional Music?

The mridanga is a two-headed cylindrical drum central to Indian classical and devotional music. Its name appears in the title of The Mayapuris' piece, signaling the instrument's importance to the composition. Traditionally, the mridanga establishes the rhythmic foundation (tala) and drives the energy of kirtan sessions. The drum's complex patterns—achieved through striking different parts of the heads with hands, fingers, and special techniques—create layers of rhythm that propel the chanting forward.

In devotional contexts, the mridanga is not merely a percussion instrument; it is considered a sacred companion to the human voice. The drum's heartbeat-like resonance is thought to ground participants in the physical body while the mantras lift awareness toward the divine. This dual action—embodying spiritual practice in rhythm and word—is central to why kirtan so effectively engages both body and mind.

How Does Temple Dance Enhance Spiritual Practice?

The Mayapuris' "Mridanga" features trained temple dancers whose movements are deliberately choreographed to express devotional emotion. In Hindu and Vaishnava traditions, dance (especially classical forms like Bharata Natyam) is a recognized spiritual discipline. Each hand gesture (mudra), facial expression (rasa), and body posture encodes meaning drawn from sacred texts and mythological narratives. Dancers are not entertainers in a secular sense; they are ritualists whose bodies become vessels for expressing inner states of bhakti (devotional surrender).

By pairing dancers with the kirtan performance, The Mayapuris create a multi-sensory experience. Listeners hear the mantras and rhythmic patterns; viewers witness the physical enactment of those same spiritual impulses. This integration addresses different learning and devotional styles—some practitioners connect more readily to sound, others to movement or visual beauty. The dancer's presence also invokes the mythological dimension of the mantras: specific gestures may reference stories of divine incarnations or the lives of saints, deepening the meaning of the chanted words.

What Sanskrit Syllables and Mantras Appear in the Chanting?

The transcript of "Mridanga" reveals the recurring use of syllables and names associated with Lord Chaitanya, the 15th-century Bengali saint whose devotional revolution shaped modern kirtan. References to "Gaur" (meaning "golden" or referring to Chaitanya's golden complexion) and "Gauranga" appear throughout the piece, particularly in sections around 0:56 and 3:00-3:15. These are not random sounds; they are sacred names that carry specific theological and emotional weight within Vaishnava practice.

The syllable "da" and rhythmic patterns structured around syllables like "ta," "ti," and "ni" create the sonic framework of the kirtan. These are not linguistic words but rather the building blocks of mantric utterance—phonemes believed to resonate with cosmic principles. The repetition of these syllables at different tempos and with varying emphasis produces what practitioners describe as a "mantra meditation": the mind becomes absorbed in the sound itself, and discursive thinking gradually falls away. This is distinct from intellectual understanding of Sanskrit grammar; it is the cultivation of consciousness through vibration.

How Does Rhythmic Repetition Affect Consciousness?

A defining feature of the "Mridanga" performance is its use of call-and-response and layered repetition. Between approximately 0:27 and 1:52, the lead voice chants while the ensemble and dancers reinforce the syllables through coordinated response. This creates a feedback loop in which individual consciousness begins to merge with the collective rhythm. Neuroscientific research on chanting and meditation suggests that repetitive vocalization and synchronized group movement can lower heart rate, reduce cortisol (stress hormone), and induce states of focused attention similar to meditation.

From a traditional perspective, this effect is explained through the concept of nada yoga—the yoga of sound. According to this philosophy, all of creation emerges from and is sustained by vibration. By aligning one's own inner vibration (through chanting and movement) with the cosmic sound (represented by sacred mantras), the practitioner experiences a temporary dissolution of the boundary between self and universe. The rhythm of the mridanga and the coordinated body movements of the dancers reinforce this state by providing external anchors that help the individual consciousness remain synchronized with the larger collective and cosmic rhythm.

Why Film a Kirtan as a Music Video?

Traditionally, kirtan happens in live, communal settings—temples, ashrams, or spiritual gatherings where participant engagement is immediate and embodied. The Mayapuris' decision to produce "Mridanga" as an official music video directed by Rasa Acharya and Gaura Vani represents an adaptation of an ancient practice to modern media. Filming allows the performance to reach practitioners across geographic boundaries and time zones. Someone unable to attend a live kirtan session can watch and, in many traditions, derive benefit from sincere listening and meditative attention to the recorded performance.

The production values and choreographic clarity also serve an educational function. Newcomers to kirtan can observe proper pronunciation of Sanskrit syllables, witness the relationship between rhythmic patterns and body movement, and absorb the reverent aesthetic of the practice without requiring direct instruction. The visual feast of colorful costumes, synchronized dancing, and architectural temple settings reinforces the emotional (rasa) dimension of the practice. Beauty itself—in form, color, and movement—is understood in bhakti traditions as a gateway to transcendent consciousness.

What Spiritual Lineage and Philosophy Underlies This Work?

The Mayapuris' emphasis on Gauranga (Chaitanya) and the patterns of kirtan they employ place their work within the Gaudiya Vaishnava tradition, which teaches that devotional surrender and the chanting of divine names are the primary path to spiritual realization in the current age (Kali Yuga). This lineage, transmitted through teachers like Sri Rupa Gosvami and later popularized globally by A.C. Bhaktivedanta Swami Prabhupada, holds that the names of God—particularly as manifested in Krishna and Chaitanya—contain the full presence of the divine. Therefore, sincere chanting is not preparatory; it is itself the direct encounter with transcendence.

The integration of dance and visual beauty into this philosophy reflects the broader bhakti aesthetic, which honors all the senses as legitimate pathways to devotion. Unlike ascetic traditions that may view sensory engagement as an obstacle to spiritual progress, bhakti encourages the sanctification and consecration of perception itself. By watching the dancer's mudras, hearing the mridanga's pulse, and feeling the vibrational quality of the chanted mantras, practitioners engage the full spectrum of their being in the act of remembrance and worship.

Where to go from here

To deepen engagement with kirtan and mantra practice, explore live kirtan sessions in your local area or online communities dedicated to chanting traditions. Listen to recordings of classic kirtan artists to develop your ear for authentic pronunciation and rhythmic patterns. If interested in the philosophical foundation, read texts like the Bhakti Sutras or devotional commentaries that explain the theology behind the practice. For physical engagement, consider learning classical Indian dance forms or simply allowing your body to move intuitively in response to the rhythms of chanting. The Mayapuris' work serves as both an introduction and an invitation—meet it with attention, and it may open a door to deeper exploration of how sound, movement, and consciousness interweave.

Event Dashboard
Live
$12.4K
Revenue
234
Tickets
89%
Sold
Weekly Performance↑ 23%
Cart Recovery
23 recovered
Instant Pay
No waiting
AI Insights Available
Get personalized growth tips
Try the Demo →

No signup required · Instant access

For Artists & Musicians

Be the Change.Keep the Change!

Sell tickets to your concerts and workshops with zero platform fees on Seva — and a free artist profile beside the names in these pages. Keep every dollar you earn.

$0
Platform Fee
0%
Per Ticket
Unlimited
Tickets
Free
Profile
List Your Show FreeClaim Your Artist Profile

Transcript

[0:00] [संगीत]

[0:13] द देता गुरु गुरु द गुरु द गुरु गुरु द

[0:15] गुरु गुरु द

[0:16] [संगीत]

[0:27] गुरु ने नाक ने देने नाक देने देने ता

[0:31] देने देने ता देने देने

[0:49] देने ने देने नेने ने नेनेने नेने

[0:56] [संगीत]

[1:25] े

[1:26] [संगीत]

[1:33] द ज

[1:52] [संगीत]

[2:19] [संगीत]

[2:23] ड़ कोथा था बोलो भाई गौर था बोलो भाई गौर

[2:28] नि बोलो भाई गौर नि गौर निई गौर निई बोलो

[2:32] भाई गौर निई गौर गर बोलो

[2:36] भाई बोलो भा गर बोलो भाई गौर अवता बोलो

[2:42] भाई गौर अवता बोलो भाई गौर गौरई गौरई बोलो

[2:48] भाई गौरई गौरई गरई बोलो भाई बोलो भाई बोलो

[2:53] भाई गर

[2:55] [संगीत]

[3:03] गौरंगा

[3:05] बरंगा बरंगा

[3:08] रंगा निन रंगा निन रंगा निन रंगा नित्या

[3:15] रंगा

[3:20] [प्रशंसा]

[3:23] नित्या पिता के पिता के पिता के पिता के

[3:33] द

[3:34] [संगीत]

[3:45] [प्रशंसा]

[3:50] [संगीत]

[3:57] [संगीत]

[4:00] हो

[4:06] [संगीत]

John De Kadt
AuthorJohn De Kadt

John De Kadt is a percussionist, kirtan leader, and storyteller whose work blends ethnic rhythms from African, Indian, and Middle Eastern traditions with devotional chanting. He is…

View profileWebsite
Explore Topics
KirtanMridangaDevotional-chantingTemple-danceBhakti

Got Questions?

Frequently Asked Questions

Kirtan is a call-and-response style of devotional chanting rooted in Hindu and Vaishnava traditions. Unlike silent meditation or individual prayer, kirtan is participatory and rhythmic—a group practice where sacred mantras and divine names are sung repeatedly, often with the mridanga drum driving the rhythm. The repetitive vocalization and synchronized group energy are believed to alter consciousness and create a direct connection to the divine through sound vibration itself.
The mridanga is a two-headed drum that establishes the rhythmic foundation (tala) and energetic pulse of kirtan performances. Beyond its technical role, the drum is considered sacred—its heartbeat-like resonance grounds practitioners in the body while mantras lift awareness toward the transcendent. The complex hand techniques used to play the mridanga create layered rhythms that propel the chanting and synchronize group consciousness.
Temple dancers use precise hand gestures (mudras), facial expressions, and body positions to physically embody and communicate the spiritual emotions (rasa) contained in the chanted mantras. These movements reference sacred myths and express inner states of devotion, creating a multi-sensory spiritual experience. Dancers are ritualists, not entertainers, whose bodies become vessels for expressing the same transcendent impulses conveyed by the chanting.
The chanting repeatedly references 'Gaur' and 'Gauranga,' sacred names referring to Lord Chaitanya, a 15th-century Bengali saint whose devotional movement shaped modern kirtan. Syllables like 'da,' 'ta,' 'ti,' and 'ni' are the phonemic building blocks of mantra—not linguistic words but sacred sound units believed to resonate with cosmic principles. The repetition of these syllables induces a meditative state where the mind absorbs into pure sound.
While live kirtan is traditionally more participatory and embodied, sincere listening to recorded kirtan is recognized in bhakti traditions as conferring spiritual benefit. The recorded performance allows people across geographic boundaries to access the practice and meditative states induced by mantra. However, active participation—chanting aloud and moving with the rhythm—typically deepens the experience beyond passive listening.
The Mayapuris' emphasis on Chaitanya and their kirtan approach places them within the Gaudiya Vaishnava tradition, which teaches that chanting divine names is the primary spiritual path for the current age. This lineage holds that the names of God—particularly Krishna and Chaitanya—contain the full presence of the divine, making sincere chanting a direct encounter with transcendence rather than a preparatory practice.
Research indicates that repetitive vocalization and synchronized group movement can lower heart rate, reduce stress hormones, and induce focused meditative states. From a traditional perspective, this is explained through nada yoga (the yoga of sound)—the practice aligns one's inner vibration with cosmic sound, creating a temporary dissolution of the boundary between individual and universal consciousness. The rhythmic anchor helps sustain this state.

Continue Reading

More from John

View All
Percussive Movement and Body Wisdom in Rhythmic Song
Featured

Percussive Movement and Body Wisdom in Rhythmic Song

A music video exploring embodied rhythm through dance, percussion, and inclusive movement language. Features layered instructions for full-b…

1 min read
Making a Mridanga Music Video: Behind the Scenes
Featured

Making a Mridanga Music Video: Behind the Scenes

See the creative process behind The Mayapuris' music video for "Mridanga," filmed in a professional studio with physical and spiritual chall…

1 min read
Krishna Das: From NYC to Neem Karoli Baba
Featured

Krishna Das: From NYC to Neem Karoli Baba

A Long Island kid named Jeffrey Kagel found a guru in the foothills of the Himalayas and came home with something no one in American music h…

1 min read
By Thy Grace: Snatam Kaur's Twenty-Five Years of Mantra
Featured

By Thy Grace: Snatam Kaur's Twenty-Five Years of Mantra

From a Colorado birth and a California childhood to a Grammy stage — Snatam Kaur marks 25 years of sacred chant with the By Thy Grace tour, …

1 min read

Keep exploring

Continue your journey

More wisdom and gatherings from across the BrightStar directory.

More Articles

Browse the full library of teachings, interviews, and guides.

Back to all articles →

Teachers & Artists

Explore the lineages, musicians, and guides of the conscious world.

Explore artists →

Find an Event

Kirtan, retreats, sound baths, breathwork, festivals — happening soon.

Browse events →